Forty Stories

Forty Stories William H Gass has written of Donald Barthelme that he has permanently enlarged our perception of the possibilities open to short fiction In Forty Stories the companion volume to Sixty Stories we en

  • Title: Forty Stories
  • Author: Donald Barthelme Rick Moody Dave Eggers
  • ISBN: 9780142437810
  • Page: 385
  • Format: Paperback
  • William H Gass has written of Donald Barthelme that he has permanently enlarged our perception of the possibilities open to short fiction In Forty Stories, the companion volume to Sixty Stories, we encounter a dazzling array of subjects Paul Klee, Goethe, Captain Blood, modern courtship, marriage and divorce, armadillos, and other unique Barthelmean flights of fancy.William H Gass has written of Donald Barthelme that he has permanently enlarged our perception of the possibilities open to short fiction In Forty Stories, the companion volume to Sixty Stories, we encounter a dazzling array of subjects Paul Klee, Goethe, Captain Blood, modern courtship, marriage and divorce, armadillos, and other unique Barthelmean flights of fancy These pithy, brilliantly acerbic pieces tangle with the ludicrous, pose questions that remain unresolved, and challenge familiar bits of language heretofore unexamined Forty Stories demonstrates Barthelme s unrivaled ability to surprise, to stimulate, and to explore.

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    One Reply to “Forty Stories”

    1. I openly admit my tastes tends to be a bit quirky, even oddball, which probably accounts for the fact that I really, really, really enjoyed two stories in this collection, two stories not given so much as a mention in other reviews, at least the ones I’ve read on this thread. And what, you may ask, are those two Donald Barthelme stories? Answer: Chablis and The New Owner. And I really, really, really had a blast doing the write-up of each of these yummy chocolate snappers. After sampling as pe [...]

    2. From "Engineer-Private Paul Klee misplaces an Aircraft between Milbertshofen and Cambral, March 1916" :"We do not have your secrets and that is what we are after, your secrets. Our first secret is where we are. No one knows. Our second secret is how many of us there are. No one knows. Omnipresence is our goal. We do not even need real omnipresence. The theory of omnipresence is enough. With omnipresence, hand-in-hand as it were, goes omniscience. And with omniscience and omnipresence, hand-in-ha [...]

    3. Forty Things to Know About Barthelme1. He had a beard.2. He had a bad relationship with his father.3. His father was an architect of some renown4. He was an experimental writer, considered by many to be among the best of his generation.5. Taking a sample of ten Barthelme stories, three will be genius, six will be good, one will be crap.6. His more famous stories include "The Balloon," "Me and Mrs. Mandible," "At the End of the Mechanical Age," "King of Jazz" (none of which are included here), "T [...]

    4. Usually when I find a pile of books in a box on the sidewalk it's filled with junk books, like self-help finance twaddle and new-age crap about death and terrible pop fiction. So imagine my surprise when, underneath The Artist's Way and Lovely Bones, I found this book! Yay!!Anyway, this was both better and worse than I expected. As a collection, it's really uneven; some stories I could only read a paragraph or two before frantically paging through to the next one, whereas others I actually re-re [...]

    5. Que mais comentar senão a genialidade das histórias, a inteligência, o humor, o absurdo, a sátira, e ler, ler com um sorriso do princípio ao fim, e claro, uma excelente tradução, 40 histórias do melhor de DB (a que se seguem as outras 60 no livro seguinte - por acaso lidos pela ordem inversa).

    6. Estos ’40 relatos’ (Forty Stories, 1987) de Donald Barthelme, enganchan desde la primera frase. (Por ejemplo, ‘Chablis’, el primer cuento: ”Mi mujer quiere un perro, aunque ya tiene una niña. La niña tiene casi dos años. Según ella, es la niña la que quiere el perro”.) Y es que Barthelme sabe cómo llamar la atención del lector. Todos los cuentos son diferentes: algunos humorísticos, otros paródicos, otros absurdos o excéntricos, pero bajo todos ellos subyace algo más profu [...]

    7. I don't know what happened. There I was, excited to cadge a library copy of a Barthelme book, a rarity on these shores, having stored up eight months of warm feelings for Sixty Stories. But no. It all came crashing down with this insufferable series of self-ironising experiments, non sequiturs, intellectual masturbations and opaque parodies.What happened? Well, it is entirely possible Sixty Stories exhausted the capabilities of Mr. B, so widely adored among the McSweeney's generation, serving up [...]

    8. tuhaf ve zor öyküler. daha doğrusu, zorlayıcı. okuru ne diline ne içeriğine alıştırıyor barthelme. kitabı sevdiğinizi düşündükten dakikalar sonra bırakma isteği duyabilirsiniz. barthelme'nin özellikle istediği bu: çok keyif verebilirim size, beni çok sevebilirsiniz ama hayır!m etmek istiyorsanız zorlanın, yorulun, birlikte arayalım, sorgulayalım. sonunda bir bütüne, bir anlama ulaşmak da yok üstelik. böyle bir katılıma ikna edecek ne var derseniz: görkemli, ı [...]

    9. Donald Barthelme is an experimental and postmodern writer who employs a wide range of strange devices that helped him create emotion and feeling in the reader. In his short story collection, 40 Stories, he constructs an entire story though a question and answer session, he juxtaposes pictures with text to create greater effect, and one story is several letters to an editor. I have chosen to focus on one story in the collection in order to fully explain what is at play in Barthelme’s writing so [...]

    10. I was very intrigued with this book. I like how the stories are all short and can be read easily in one sitting. They all are so different, and yet have a similar tone. I like how they take me to a unique place every time, a world which I might have never been exposed to. I don't feel I can honestly say that I understand any of these stories, but there are some of them that definitely strike me as being more meaningful than others and some which I feel just depend on personal preference. Regardl [...]

    11. I am so glad that I came to Donald Barthelme by way of Charles Baxter. And after reading Barthelme's short fiction, I understand more fully why Dave Eggers felt like a thief after reading Barthelme following the publication of his fiction. He's an original, a genre defining giant, and his writing just doesn't give a shit whether or not you get it (admittedly several stories, I didn't) - he's plowing forward without you."Some of us had been threatening our friend Colby" (found here for free jessa [...]

    12. This is the funniest book I have read in a long time. I can't remember the last book that made me laugh out loud as much as this one. Barthelme has to be one of the most underrated writers of the last century.The stories in this collection are very short, usually 3-5 pages, and all are fairly fragmented, oblique works of art. I'd recommend Barthelme to any fan of the post-moderns or experimental fiction in general. You know you are in for a good story that opens with lines like: "Some of us had [...]

    13. I havn't written any reviews on this thing yet, but this book was really what I've been looking for in fiction for a long time. Ecstatic language that goes on sprawling tangents with wonderful imagery that is woven together into very concise endings. It's also extremely witty and hilarious. All of these qualities make it a very enjoyable read but at the same time it's also intelligent and academic. Barthelme definitely knows exactly what he's doing.

    14. Formally interesting, but the intentional shallowness irritated me after a while. When the pieces actually did something, they were wonderful.

    15. not so impressed:chablisjawsthe new owner (yes, i know you're published in the new yorker, i know new yorkers have their heads up their own asses, but stop whining, dude, stop whining)departures (see complaint 1, below)the wound (can you be 'too surreal'? i don't know the answer to that. but can you be 'surreal without sufficient development and/or meaning', and therefore unsatisfying? to that i say yes. (call this complaint number 3.))sentence (is one allowed to complain of gimmickry when you r [...]

    16. Donald Barthelme is the first and foremost of a slew of sixties and seventies authors to first bend and shape fiction into what we know of as “metafiction”. Metafiction deals with writing about writing, self-conscious writing, or writing that merely draws attention to the act of written construction. Barthelme does this best (in my humble opinion) with Forty Stories, a lofty collection of stories of various lengths and dimensions. Barthelme here pioneers the micro-story (story which is vehe [...]

    17. When I was a child, barely a teen, two of my suburban high school’s advanced-placement word nerds were fond of flashing a shared Donald Barthelme paperback that had a sexually suggestive cover illustration, perhaps featuring a woman’s bare breasts. These guys, the type of guys who could recite swatches of dialogue from 200 Motels, cornered you at lunch while you were trying to get high like a normal person and read concise sections of Barthelme, then lurked in smug silence as if they had jus [...]

    18. I loved the Carrollian language in these stories. The language jangled my brain in a good way, the way Shakespeare or jazz might, and whenever I put the book down, there would be a smile, or at the least an evil grin, on my face. Some of my favorite stories were:The Genius: because the character of the genius presented a good comic schtick for the D&D wizard. The wizard could have a medal for future accomplishments in the field of transtemporal teleportation. Sinbad: One of his fun fairy tal [...]

    19. Just delightful. Highlights:ChablisConcerning the BodyguardJawsThe New OwnerEngineer-Private Paul Klee Misplaces an Aircraft between Milbertshoffen and Cambrai, March 1916Bluebeard DeparturesVisitors The WoundAt the Tolstoy Museum The Temptation of St. Anthony Some of Us Have Been Threatening Our Friend ColbySakreteMost of the others have lovely redeeming features too.

    20. Why has it taken me so long to read Donald Barthelme? I’ve known about him for years and own several of his books. I think it’s because dipping into FORTY STORIES is like going to another country where you don’t known the language or the customs, which are familiar but just askew enough to remain foreign. There’s a sense of adventure in turning these pages, and I guess initially I’m uncomfortable. It takes me a beat to get past the shock of the new. My favorite things were usually the [...]

    21. Where do I start? The stories are one dimensional, with paper thin characters composing uninteresting snippets of lives of the above mentioned characters. I couldn't even finish the whole book because it was just aweful. No real sense of togetherness (which is usually an underlying theme in a collection of work), no real direction, either. The stories are trite, boring, and worse, poorly structured.

    22. Barthelme is one of the authors which defines postmodern and deconstruction for me. Each story is not only a new story, but also a new way of telling stories.It's probably worth to start with Sixty Stories. I read them a very long time ago, but in memory they are better than this one.Doesn't mean it isn't worth reading.“The Secret Police said:We have secrets. We have many secrets. We desire all secrets. We do not have your secrets and that is what we are after, your secrets.”

    23. 3.75 stars.Barthelme continues to confound, if not amaze, in this collection. Much like in Sixty Stories, these very short stories are episodic, absurd to the point of incomprehension, hilarious, and extraordinarily well-written. However, Forty Stories seems to be composed mainly of the leftovers from the 5-star feast that the other collection is, and some ideas fall flat. In short, this is a very good companion collection, but I wouldn't recommend it on its own.

    24. After each story, look at the way the light hits your window, and feel remarkably empty, yet not unhappy.

    25. Temiz, güzel bir çeviri ile Barthélme öykülerini bize ulaştıran Monokl yayınlarına teşekkürler. Çarpıcı, irkiltici, keyifli, mizahi, Her biri farklı, okunmaya değer öyküler.

    26. Having finally arrived in New York via Las Vegas the porcupines were admitted to a mid-level college of some renown for their Department of Anthropology, Bureaucracy and Sheepdog Etymology. Within a 10 mile radius, for many weeks, not a single garbage can could be found nor were any windshields left unsmashed.

    27. Some of these stories just left me behind. Perhaps if I read and re-read I could have gotten further. But I pushed through it. I did find some brilliant, funny, surprising. My favorites: Some of Us Had Been Threatening Colby and The Baby.

    28. Wonderfully imaginative, if almost verging on a wee bit daft and incoherent at times. He's the master of a sudden absurd ending, something which, rest assured, I'll be doing my damndest to imitate.

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